A short film about Argentine electroacoustic composer Beatriz Ferreyra, a pioneer of musique concrète along with Pierre Schaeffer in the 1950s and 1960s. In this film she discusses her "sound hunting" recording techniques and other ideas on sound montage and spatialization. It includes creaking doors, barking dogs and rainbows in the hands.
Aura Satz’s practice encompasses film, sound, performance and sculpture. She has performed, exhibited and screened her work nationally and internationally, including Tate Modern, Tate Britain, Hayward Gallery, InterCommunication Centre (Tokyo) Sydney Biennale; High Line Art (NY). She has presented solo exhibitions at the Wellcome Collection (London); the Hayward project Space (London); John Hansard Gallery (Southampton); Dallas Contemporary (Texas); George Eastman House (Rochester NY); Gallery 44 (Toronto); Fridman Gallery (NY) and Paradise Row gallery (London). In 2012, she was shortlisted for the Samsung Art+ Award and the Jarman Award. She is a Reader and Tutor at the Royal College of Art.
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